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Alan Stoker shares some insight on Patsy Cline’s studio work and the gift of her voice.

Alan Stoker talks about Patsy’s gift as a singer and an artist, exploring the difference in style between live performances and studio recordings.

Born Virginia Patterson Hensley in Winchester, Virginia, Patsy Cline (September 8, 1932-March 5, 1963) defined modern country music by using her singular talent and heart‐wrenching emotional depth to break down barriers of gender, class and genre. In her music and her life, she set a standard of authenticity towards which artists still strive. After years of hard work to overcome industry gender biases and her own personal hardships and professional missteps, she achieved success, only to have it punctured by uncanny premonitions and her untimely death at age 30.

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Clip | Making the Film

Clip | Bill Anderson on the tension between Patsy Cline and Jimmy Dean

Clip | Listen to how Patsy Cline “fibbed” to perform on CBS

Clip | How Patsy Cline overcame the good ol’ boys club in country music

Clip | Learn which Patsy Cline songs inspire Reba McEntire

Clip | Learn about Patsy Cline’s first record deal

Clip | How a car crash nearly ended Patsy Cline’s career

Listen: Patsy Cline Themed Playlist

Clip | Hear how Patsy Cline met her husband, Charlie Dick

5 Reasons Patsy Cline Was A Trailblazer For Women

Clip | Learn how Patsy Cline broke social norms in the ’50s

Clip | How Patsy Cline balanced home life and commercial success

PBS Previews: Patsy Cline

Patsy Cline: Trailer

TRANSCRIPT

TRANSCRIPT

If Patsy were here right now, what would I say to her? How did you learn how to sing like that? I mean, I know what it was - it was a gift from God. It had to be.

And you can tell that she knew that. She loved singing. You can tell by listening to her sing, it was something that she loved to do. And she progressed from the early days through the end days. She got better as a singer throughout that whole time - she got more friendly, more comfortable in the studio. Singing in the studio is a lot different than singing on stage - my dad told me that singing in the studio, it's like the listeners ear is right here, and you have to really be careful with how loud you're singing and what your phrasing is, whereas live in performance you're really trying to project to the entire audience. And I don't think Patsy necessarily felt comfortable in the studio. I'm not sure, but at least when you listen to her on the ballads, I don't think early on she was very comfortable singing ballads. She certainly liked to sing the up tempo numbers, you know, and she loved to yodel, and she loved to do the big Broadway show type endings at the end of a song. You know that didn't fit every song that she did necessarily.

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