Episodes

Based on the classic story of a young man’s battle with the forces of evil, George Lucas’s 1977 film STAR WARS introduced a modern myth to a new generation. A primal tale set in a distant galaxy, STAR WARS revolutionized special effects, forged new frontiers in sound design, and brought audiences to movie theaters in record numbers.

The delicate damsel in distress, fainting on an ice floe, cowering before a brutal bounder, languishing in a garret. She has been called “the first lady of the silent screen,” and film director D.W. Griffith extolled her “exquisite, ethereal beauty.” She was Lillian Gish, the star of movies, television, radio, & the stage for nearly all of the 20th century.

“The King of Daredevil Comedy,” Harold Lloyd is best remembered today as the young man dangling desperately from a clock tower in the 1923 classic Safety Last. At the height of his career, Lloyd was one of the most popular and highest-paid stars of his time. While his achievements have been overshadowed by the work of contemporaries Charlie Chaplin and Buster Keaton, he made more films than both.

America’s foremost humorist and social pundit, Garrison Keillor takes his skits and monologues across the country in his popular radio show, A Prairie Home Companion. American Masters trails this yarn-smith and his crew of actors and musicians as they spin stories and song into American gold in Garrison Keillor: The Man on the Radio in the Red Shoes.

Joan Baez made her debut appearance at the Newport Folk Festival in 1959. Fifty years later she returned to that same Rhode Island stage on August 2, marking her and the festival’s 50th anniversaries. She is presently on a worldwide tour in celebration of her 50 years as a performer and in support of her Grammy-nominated CD, Day After Tomorrow.

Frank Gehry loves to sketch. It is the beginning of his architectural process. From Gehry’s sketches flow the models, one after another, each a refinement, that will eventually become finished buildings unlike any others in the architectural world.

Luce and his partner had raised eighty-six thousand dollars to start their first magazine, Time, in 1923. In 1941, the revenues from Time, and other Luce enterprises reached forty-five million.

Cukor was an American film director. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including What Price Hollywood? (1932), A Bill of Divorcement (1932), Our Betters (1933), and Little Women (1933)

Beginning in 1900 and continuing over the next thirty years, Edward Sheriff Curtis, or the “Shadow Catcher” as he was later called by some of the tribes, took over 40,000 images and recorded rare ethnographic information from over eighty American Indian tribal groups, ranging from the Eskimo or Inuit people of the far north to the Hopi people of the Southwest.

Fitzgerald was an American fiction writer, whose works helped to illustrate the flamboyance and excess of the Jazz Age. While he achieved popular success, fame, and fortune in his lifetime, he did not receive much critical acclaim until after his death. Fitzgerald is now widely regarded as one of the greatest American writers of the 20th century.

“The Hardest-Working Man in Show Business,” “Soul Brother Number One,” “the Godfather of Soul,” — in whatever guise, James Brown is unquestionably one of the most charismatic musical icons of the 20th century. An irrepressible performer, ruthless but highly proficient bandleader, awesome dancer, and, unquestionably, the man who flipped soul music on its head.

By the time of his death on April 30, 1983, George Balanchine had created over 400 works and was recognized as a 20th-century master alongside Picasso and Stravinsky. Here is the story of how the man born Georg Melitonovitch Balanchivadze in St. Petersburg, Russia in 1904 went on to become the artistic director and primary choreographer of the New York City Ballet.

In 1931, 3 young idealists, Harold Clurman, Cheryl Crawford and Lee Strasberg, were inspired by a passionate dream of transforming the American theater. They recruited 28 actors to form a permanent ensemble dedicated to dramatizing the life of their times. They conceived The Group Theatre as a response to what they saw as the old-fashioned light entertainment that dominated their contemporaries.

John Ford and John Wayne — a friendship and professional collaboration that spanned 50 years, changed each others’ lives, changed the movies, and in the process, changed the way America saw itself. It was a relationship that reflected all the elements and all the paradoxes of 20th century America — generosity of spirit, abuse of power, a sense of loyalty, and a restless nationalism.

Charlie Chaplin, Buster Keaton, or Clara Bow, were stars who created trademark personas and spent their entire careers testing the limits of those characters. For many in the industry, both then and now, this type of career is considered the pinnacle of success, but for one actor it was the antithesis of the his art. For Lon Chaney, the art of acting was the art of continual transformation.