Hear My Train A Comin’ unveils previously unseen performance footage and home movies taken by Hendrix and drummer Mitch Mitchell while sourcing an extensive archive of photographs, drawings, family letters and more to provide new insight into the musician’s personality and genius.

A pioneering electric guitarist, Hendrix (Nov. 27, 1942 — Sept. 18, 1970) had only four years of mainstream exposure and recognition, but his influential music and riveting stage presence left an enduring legacy. Hear My Train A Comin’ traces the guitarist’s remarkable journey from his hardscrabble beginnings in Seattle, through his stint as a US Army paratrooper, unknown sideman to R&B stars such as Little Richard, Joey Dee and the Isley Brothers and his discovery and ultimate international stardom.

Presented as part of a year-long celebration around his 70th birthday year, the two-hour Hear My Train A Comin’ uses Hendrix’s own words to tell his story, illustrated through archival interviews and illuminated with commentary from family, well-known friends and musicians including Paul McCartney, band members Noel Redding, Mitch Mitchell, Billy Cox, long-time sound engineer Eddie Kramer; Steve Winwood, Vernon Reid, Billy Gibbons, Dweezil Zappa and Dave Mason.

The film also features revealing glimpses into Jimi and his era from the three women closest to him: Linda Keith (the girlfriend who introduced Jimi to future manager Chas Chandler), Faye Pridgon (who befriended Hendrix in Harlem in the early 1960s) and Colette Mimram (one of the era’s most influential fashion trendsetters who provided inspiration for Hendrix’s signature look and created such memorable stage costumes as the beaded jacket Hendrix famously wore at Woodstock). The film details the meteoric rise of the Experience, the creation of his groundbreaking music, the building of Electric Lady Studios, his state-of-the-art recording facility in Greenwich Village and concludes with poignant footage from his final performance in Germany in September 1970, just 12 days before his death at age 27.

Among the previously unseen treasures in Hear My Train A Comin’ is recently uncovered film footage of Hendrix at the 1968 Miami Pop Festival. The first-ever major rock festival staged on the East Coast, the May 1968 Miami Pop Festival at Gulfstream Park in Hallandale, Fla., was the first event promoted by Woodstock organizer Michael Lang and Ric O’Barry (dolphin trainer for Flipper TV series), who were inspired by the June 1967 Monterey Pop Festival, where Hendrix made his U.S. debut and famously set fire to his guitar.

Two-time Grammy-winning director Bob Smeaton, whose credits include Jimi Hendrix: Voodoo Child, Hendrix: Band of Gypsys, Hendrix 70: Live at Woodstock, Festival Express and The Beatles Anthology, shows a side of Hendrix less frequently explored in Hear My Train A Comin’. Smeaton explains, “Jimi loved two things: women and playing guitar and that’s what Linda, Faye and Colette all told us. These women shed a totally different light on him than the guys who saw him onstage.”

On the same day as the film’s premiere, Experience Hendrix LLC and Legacy Recordings, the catalog division of Sony Music Entertainment, will release the expanded home video edition of the American Masters documentary, with never-before-released special performance features, on DVD and Blu-ray.

American Masters: Jimi Hendrix – Hear My Train A Comin’ is a production of Fuse Films and THIRTEEN’s American Masters in association with WNET. Bob Smeaton is director. Susan Lacy is American Masters series creator and executive producer.

Two 2014 Emmy Nominations

American Masters is proud of the film’s 2014 Emmy Award nominations, announced July 10, 2014.

Outstanding Picture Editing For Nonfiction Programming
American Masters • Jimi Hendrix: Hear My Train A Comin’ • PBS • A Production of Fuse Films and Thirteen’s American Masters for WNET
Gordon Mason, A.C.E., Editor
Stephen Ellis, Editor
Phil McDonald, Editor

Outstanding Sound Mixing For Nonfiction Programming
American Masters • Jimi Hendrix: Hear My Train A Comin’ • PBS • A Production of Fuse Films and Thirteen’s American Masters for WNET
Eddie Kramer, Music Mixing
Steve Crook, Re-Recording Mixer