Episodes

Thomas Eakins died in 1916; he left behind a body of work unprecedented in American art for its depth, strength, perception, character, & commitment to realism. During his life, Eakins sold less than 30 paintings. Rejected by the public & the art establishment of his day, it was only after his death that a new generation of scholars & critics recognized Eakins was one of America’s great painters.

Plácido Domingo is one of the most loved and listened to opera singers of the 20th- century. He was born in 1941, into a musical family in the Barrio de Salamanca section of Madrid. His parents were both singers, and when he was five they moved to Mexico with a traveling musical company.

Nat King Cole crowns a very short list of the most identifiable and memorable voices in American music. This ground breaking American icon’s impact continues to cross the world’s cultural and political boundaries. The story of his life is a study in success in the face of adversity and the triumph of talent over the ignorance of prejudice.

They call him the “genius” and they call him the “father of soul.” With perfect pitch and an expressive voice, he combines worlds as diverse as jazz, country, rhythm and blues, and gospel to break your heart or make you dance. His name is Ray Charles, and if you turn your radio to any station you will hear the influence of his ground-breaking music.

Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. Ray’s life and art were always provocative, engaging, and challenging.

Throughout his career, Truman Capote remained one of America’s most controversial and colorful authors, combining literary genius with a penchant for the glittering world of high society. Though he wrote only a handful of books, his prose styling was impeccable, and his insight into the psychology of human desire was extraordinary.

Born in Port Arthur, Texas in 1925, Robert Rauschenberg imagined himself first as a minister and later as a pharmacist. It wasn’t until 1947, while in the U.S. Marines that he discovered his aptitude for drawing and his interest in the artistic representation of everyday objects and people.

American Masters Executive Producer Kantor recalls, “The documentary film community is reeling from the loss of Bruce Sinofsky. I can’t think of a filmmaker who doesn’t admire his work. Brothers’ Keeper was not a film for American Masters — it was, however, a film for the ages. If you haven’t seen it, get ahold of it now — it’s definitely in the top 10 of great American documentary films.”

Best known for, WHERE THE WILD THINGS ARE, Maurice Sendak has spent the past fifty years bringing to life a world of fantasy and imagination. His unique vision is loved around the globe by both young and old. Beyond his award-winning work as a writer and illustrator of children’s books, Sendak has produced both operas and ballets for television and the stage.

Willa Cather’s MY ANTONIA is about the hardy people who risked their lives and fortunes in a harsh new land; Cather had the great good fortune to have lived among the first generation of white settlers in 1880s Nebraska, and she gives witness to their time and place in such a way that American literature will never forget them.

In writing INVISIBLE MAN in the late 1940s, Ralph Ellison brought onto the scene a new kind of black protagonist, one at odds with the characters of the leading black novelist at the time, Richard Wright. If Wright’s characters were angry, uneducated, and inarticulate — the consequences of a society that oppressed them — Ellison’s Invisible Man was educated, articulate, and self-aware.

Martha Graham’s impact on dance was staggering & often compared to that of Picasso’s on painting, Stravinsky’s on music, and Frank Lloyd Wright’s on architecture. Her contributions transformed the art form, revitalizing and expanding dance around the world. In her search to express herself freely and honestly, she created the Martha Graham Dance Company, one of the oldest dance troupes in America.

He was the man who told us that President Kennedy had been shot, the man who told us that we had put a man on the moon, and the man who told us that we couldn’t win the war in Vietnam. During the 20 years he anchored the evening news on CBS, Walter Cronkite became a daily presence in the American home. Building on the legacy of Edward R. Murrow, he brought CBS to the pinnacle of prestige.

More than an actor (and Academy-Award winner), Sidney Poitier is an artist. A writer and director, a thinker and critic, a humanitarian and diplomat, his presence as a cultural icon has long been one of protest and humanity. His career defined and documented the modern history of blacks in American film, and his depiction of proud and powerful characters was and remains revolutionary.

Paul Robeson was the epitome of the 20th-century Renaissance man. He was an exceptional athlete, actor, singer, cultural scholar, author, and political activist. His talents made him a revered man of his time, yet his radical political beliefs all but erased him from popular history. Today, more than one hundred years after his birth, Robeson is just beginning to receive the credit he is due.