TRANSCRIPT
♪♪♪ Le Guin: I wrote a book, back in the '60s, called 'Left Hand of Darkness.'
What I was first asking myself, you know, 'Well, okay, what [laughing] is the difference between men and women?'
And the means I used to talk about it was to invent a race of people who are androgynous, fully androgynous.
You only become sexually active once a month and you may become active as a man or as a woman.
You don't know which.
Brown: And so, in the course of someone's lifetime, they can father a child; they can mother a child.
They can have lovers of all different types.
♪♪♪ [ Wind whistling ] Le Guin: In 'The Left Hand of Darkness,' we meet Genly, the first envoy from the Ekumen to the planet of Winter.
♪♪♪ -[Crowd whispering] -As he tries to navigate this icebound world of genderless people, Genly becomes entangled in a political web.
[ Whispering continues ] He's forced to flee across a glacier, along with Estraven, a native of Winter who has become his ally.
♪♪♪ Mitchell: As they cover the miles over the ice, they also close the miles between themselves, as individuals, as different subspecies of ♪♪♪ Le Guin: 'After all he is no more an oddity, a sexual freak, than I am; up here on the Ice, each of us is singular, isolated, I as cut off from those like me, from my society and its rules, as he from his.'
Mitchell: It's not just a geographical journey.
It's a journey into human cooperation, into a human relationship.
[ Wind whistling ] Gaiman: When 'Left Hand of Darkness' came out, it was perceived, rightly, as having changed things, as being something that was unlike anything else that had been published.
♪♪♪ Miéville: Nowadays, there is a lot more interest in kind of genderqueering and genderfluidity.
I wonder if it might be difficult for a young reader now to realize quite how extraordinary and powerful that was when she did it.
Goss: Readers and critics have thought about 'Left Hand of Darkness' as a feminist novel and I absolutely think it was, for its time, but, there were other writers, feminist science fiction writers, and critics, as well, who were saying, 'You didn't quite go far enough.'
Atwood: She got in trouble with 'Left Hand of Darkness' because, when you weren't changing into some other gender, you were 'he.'
Gaiman: It started getting criticism: 'Why are you forcing us to think of a masculine default all the way?
Couldn't you have done it a different way?'
Do I think that 'The Left Hand of Darkness' that Ursula would write now would be 'The Left Hand of Darkness' that I read in 1971?
No! Obviously not.
She has changed and the world has changed.
[ Birds chirping ] Le Guin: At first, I felt a little bit defensive, but, as I thought about it, I began to see my critics were right.
♪♪♪ I was coming up against how I write about gender equality.
♪♪♪ My job is not to arrive at a final answer and just deliver it.
♪♪♪ I see my job as holding doors open or opening windows, but, [scoffing] who comes in and out the doors?
What do you see out the window?
How do I know?
♪♪♪