1920-1932: Broadway Melody

Irving Berlin begins his Music Box Revues.

"Shuffle Along," an all-black show written by the African-American team of Noble Sissle and Eubie Blake, is a Broadway sensation.

Fanny Brice introduces "My Man" in the "Follies of 1921."

George Gershwin and his brother Ira collaborate on the song "(I'll Build a) Stairway to Paradise" for "George White's Scandals."

Eddie Cantor gets his own star vehicle from Ziegfeld, "Kid Boots," about a wisecracking golf caddy.

British comedienne Beatrice Lillie makes her Broadway debut in "Charlot's Revue."

Impresario Earl Carroll begins his "Vanities," a series of risqué revues.

"Lady, Be Good!" is the first full musical comedy produced by the Gershwins and stars the dancing team sensation of siblings Fred and Adele Astaire.

Walter Winchell begins his Broadway column in the EVENING GRAPHIC.

The Marx Brothers star in their first Broadway musical comedy, "The Cocoanuts," written for them by Irving Berlin and comic playwright George S. Kaufman.

"Manhattan" by Rodgers and Hart is showcased in "The Garrick Gaieties" and turns the duo into an overnight sensation.

"No, No, Nanette," already a smash hit in Chicago and London, sets Broadway's toes a-tapping with "Tea for Two" and "I Want to Be Happy."

Oscar Hammerstein II and Sigmund Romberg score a huge success with their Moroccan operetta, "The Desert Song."

The new songwriting team of DeSylva, Brown, and Henderson strikes it big with "Black Bottom" in "George White's Scandals."

"Someone to Watch Over Me" sung by Gertrude Lawrence in "Oh, Kay!" becomes a standard.

Rodgers and Hart bring Mark Twain to the musical stage with "A Connecticut Yankee"; songs include "Thou Swell."

"Show Boat," a collaboration among Jerome Kern, Oscar Hammerstein II, and Florenz Ziegfeld, docks at the Ziegfeld Theatre. Its complex narrative and racial themes make it a groundbreaking show; songs include "Bill" and "Ol' Man River."

THE JAZZ SINGER, the first motion picture to include singing and dialogue, opens with Al Jolson in the lead role and revolutionizes the movie industry.

"Animal Crackers" opens, starring the Marx Brothers. During the day, they film the motion picture THE COCOANUTS in Astoria, Queens.

"The New Moon," an 18th-century romantic operetta, is one of the last successful operettas: songs include "Lover Come Back to Me."

Eddie Cantor sings "Makin' Whoopee" in "Whoopee!".

Cole Porter, having returned from Paris the previous season, scores a hit with "Fifty Million Frenchmen"; songs include "You Do Something to Me."

Harlem jazz moves downtown, as Louis Armstrong plays "Ain't Misbehavin'" in the revue "Hot Chocolates."

The Gershwins' "Strike up the Band" is the first musical to open the 1930s; a previous version closed in Philadelphia in 1927.

Ethel Merman creates a sensation singing "I Got Rhythm" in her Broadway debut, "Girl Crazy."

The exodus of Broadway talent to Hollywood begins in earnest: Irving Berlin, Jerome Kern, the Gershwins, and the Marx Brothers go to L.A.

BROADWAY MELODY is the first musical to win an Academy Award.

Fred and Adele Astaire perform in their last musical together, the revue "The Band Wagon," written by Dietz and Schwartz; songs include "Dancing in the Dark."

"Of Thee I Sing" opens. Written by the Gershwins, George S. Kaufman, and Morrie Ryskind, it is the first full-length musical to spoof the presidency and the first to win the Pulitzer Prize.

Rodgers and Hart join their colleagues in Hollywood.

Irving Berlin returns to Broadway to write "Face the Music"; the spoof contains the upbeat tune "Let's Have Another Cup of Coffee."

"Brother, Can You Spare a Dime?" by E. Y. Harburg and Jay Gorney appears in a revue called "New Americana"; it becomes the anthem of the depression.

Ziegfeld revives "Show Boat" on Broadway, featuring Paul Robeson as Joe; Ziegfeld dies in Hollywood later in the year, several million dollars in debt.