During the Great Depression, Broadway distracts audiences with escapism, while also offering political commentary and social engagement.
TIMELINE
100 YEARS OF MUSICAL THEATER
1933-1942: Hard Times
01.01.1933
1933
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Ethel Waters performing ''Heat Wave'' in ''As Thousands Cheers.'' (The New York Public Library)
The New York Public Library
"Let 'Em Eat Cake" is an unsuccessful antifascist sequel to "Of Thee I Sing." Irving Berlin and Moss Hart have a hit with "As Thousands Cheer," a topical revue featuring Ethel Waters singing "Heat Wave" and the controversial "Supper Time."
42ND STREET, the quintessential backstage musical film, is released.
42ND STREET, the quintessential backstage musical film, is released.
01.01.1934
1934
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The 100th performance of ''Anything Goes'' at the Orpheum Theater. (Photofest)
Photofest
Cole Porter and Ethel Merman team up for the first time with the frothy "Anything Goes"; a big hit, its songs include "You're the Top" and "I Get a Kick out of You."
The depression hits the New York theater; many legitimate theaters close or are renovated as movie theaters, which are less financially risky to run.
Fiorello La Guardia becomes mayor of New York City.
The depression hits the New York theater; many legitimate theaters close or are renovated as movie theaters, which are less financially risky to run.
Fiorello La Guardia becomes mayor of New York City.
01.01.1935
1935
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''Porgy and Bess'' PLAYBILL cover. (Library of Congress and PLAYBILL® Used by permission)
Library of Congress and PLAYBILL®
German composer Kurt Weill, an exile from Hitler's Germany, arrives in New York.
Rodgers and Hart, unhappy in Hollywood, return to Broadway to create the circus-themed "Jumbo."
"Porgy and Bess," an ambitious folk opera written by Du Bose Heyward and George and Ira Gershwin, opens to mixed reviews. Its relatively short run sends the Gershwins back to Hollywood.
Rodgers and Hart, unhappy in Hollywood, return to Broadway to create the circus-themed "Jumbo."
"Porgy and Bess," an ambitious folk opera written by Du Bose Heyward and George and Ira Gershwin, opens to mixed reviews. Its relatively short run sends the Gershwins back to Hollywood.
01.01.1936
1936
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''On Your Toes'' program cover. (The Rodgers & Hammerstein Organization)
The Rodgers & Hammerstein Organization
"On Your Toes," a Rodgers and Hart show, stars Ray Bolger and features choreography by recent émigré George Balanchine.
The "Ziegfeld Follies of 1936," produced by the Shuberts, opens and stars Fanny Brice as Baby Snooks, Bob Hope, and Josephine Baker.
The "Ziegfeld Follies of 1936," produced by the Shuberts, opens and stars Fanny Brice as Baby Snooks, Bob Hope, and Josephine Baker.
01.01.1937
1937
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A rehearsal for ''The Cradle Will Rock.'' (The New York Public Library)
The New York Public Library
George Gershwin dies unexpectedly of a brain tumor in Hollywood.
Three political satires open: "I'd Rather Be Right," a spoof of FDR's administration by Rodgers and Hart; "Pins and Needles," a semiprofessional revue produced by the International Ladies' Garment Workers Union; and "The Cradle Will Rock," a left-wing, pro-labor musical written by Marc Blitzstein and directed by Orson Welles. The federal government closes the show before opening night.
Three political satires open: "I'd Rather Be Right," a spoof of FDR's administration by Rodgers and Hart; "Pins and Needles," a semiprofessional revue produced by the International Ladies' Garment Workers Union; and "The Cradle Will Rock," a left-wing, pro-labor musical written by Marc Blitzstein and directed by Orson Welles. The federal government closes the show before opening night.
01.01.1938
1938
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Mary Martin in ''Leave It to Me.'' (Photofest)
Photofest
ary Martin debuts on Broadway in Cole Porter's "Leave It to Me!," captivating audiences by singing "My Heart Belongs to Daddy."
The first Broadway show to adapt Shakespeare to the musical stage is Rodgers and Hart's "The Boys from Syracuse."
The first Broadway show to adapt Shakespeare to the musical stage is Rodgers and Hart's "The Boys from Syracuse."
01.01.1939
1939
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''We're Off to See the Wizard (the Wonderful Wizard of Oz)'' sheetmusic cover. New York: Leo Feist, Inc., 1939. (Music Division, Library of Congress)
Music Division, Library of Congress
Bert Lahr and Ethel Merman crack up audiences with their hijinks in "DuBarry Was a Lady."
The New York World's Fair opens in Flushing, taking customers away from Broadway.
The movie THE WIZARD OF OZ premieres, with songs by Harold Arlen and E. Y. Harburg; it features such beloved Broadway performers as Ray Bolger, Bert Lahr, Jack Haley, Frank Morgan, and Billie Burke.
The New York World's Fair opens in Flushing, taking customers away from Broadway.
The movie THE WIZARD OF OZ premieres, with songs by Harold Arlen and E. Y. Harburg; it features such beloved Broadway performers as Ray Bolger, Bert Lahr, Jack Haley, Frank Morgan, and Billie Burke.
01.01.1940
1940
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Gene Kelly and Amarilla Morris in ''Pal Joey.'' (The Rodgers & Hammerstein Organization)
The Rodgers & Hammerstein Organization
"Pal Joey," remarkable for its groundbreaking mature approach to sexuality, opens with Gene Kelly in the lead; songs include "Bewitched, Bothered, and Bewildered."
Al Jolson makes his last Broadway appearance in "Hold on to Your Hats."
Al Jolson makes his last Broadway appearance in "Hold on to Your Hats."
01.01.1941
1941
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Gertrude Lawrence in ''Lady in the Dark.'' (Photofest)
Photofest
"Lady in the Dark," written by Moss Hart, Kurt Weill, and Ira Gershwin, opens with Gertrude Lawrence as a fashion editor with a vivid dream life; the dynamic Danny Kaye is a cast member.
United States enters World War II.
United States enters World War II.
01.01.1942
1942
A scaled-down version of ''Porgy and Bess'' is successfully revived on Broadway.
Irving Berlin creates another revue for the U.S. armed forces, "This Is the Army," in which he performs; he takes the show on tour throughout the rest of the war.
Richard Rodgers and Oscar Hammerstein II begin adapting "Green Grow the Lilacs" for the musical stage.
Irving Berlin creates another revue for the U.S. armed forces, "This Is the Army," in which he performs; he takes the show on tour throughout the rest of the war.
Richard Rodgers and Oscar Hammerstein II begin adapting "Green Grow the Lilacs" for the musical stage.