>>> TONIGHT, RISING AGAINST
ASIAN HATE.
MORE THAN A YEAR AFTER THE
DEADLY ATLANTA SPA SHOOTINGS, A
REVEALING PBS DOCUMENTARY TAKES
US BEYOND THE HEADLINES TO MEET
THE PEOPLE IMPACTED BY THE
VIOLENCE AGAINST
ASIAN AMERICANS.
A PERSONAL STORY OF TRAGEDY,
FIGHT, AND RESILIENCE.
"METROFOCUS" STARTS RIGHT NOW.
♪♪
>>> THIS IS "METROFOCUS," WITH
RAFAEL PI ROMAN, JACK FORD AND
JENNA FLANAGAN.
>>> "METROFOCUS" IS MADE
POSSIBLE BY --
SUE AND EDGAR WACHENHEIM III,
SYLVIA A. AND SIMON B. POYTA
PROGRAMING ENDOWMENT TO FIGHT
ANTI-SEMITISM,
THE PETER G. PETERSON AND
JOAN GANZ COONEY FUND,
BERNARD AND DENISE SCHWARTZ,
BARBARA HOPE ZUCKERBERG,
THE AMBROSE MONELL FOUNDATION.
AND BY --
>>> GOOD EVENING, AND WELCOME TO
"METROFOCUS."
I'M JENNA FLANAGAN.
IN MARCH OF 2021, A 21-YEAR-OLD
MURDERED EIGHT PEOPLE AT THREE
SPAS IN ATLANTA, GEORGIA.
SIX OF THE EIGHT VICTIMS WERE
WOMEN OF ASIAN DESCENT.
THE SHOOTING SHOOK AN
ASIAN AMERICAN COMMUNITY ALREADY
RATTLED BY A SPATE OF VICIOUS
ATTACKS FROM COAST TO COAST.
ATLANTA BECAME A GALVANIZING
MOMENT FOR THE AAPI COMMUNITY,
PURR SPURRING A NEW ERA OF
POLITICAL ACTIVISM AND ACTION.
NOW AS VIOLENCE AGAINST
ASIAN AMERICAN CONTINUES TO
SURGE IN CITIES ACROSS AMERICA,
INCLUDING TRAGICALLY HERE IN NEW
YORK, THE NEW PBS DOCUMENTARY,
"RISING AGAINST ASIAN HATE"
EXPLORES THE ATLANTA SPA
SHOOTINGS AND THEIR AFTERMATH.
HERE'S A PREVIEW.
>> THAT WAS WHEN I STARTED TO DO
MY HUNT IN SEARCH FOR MY MOTHER.
I REMEMBER CALLING THE SHERIFF'S
OFFICE, TRYING TO IDENTIFY THE
WOMEN.
I DON'T THINK SOME OF THEM
BELIEVED IT WAS MY MOTHER WHEN
THEY WERE CALLING.
THEY WERE LIKE, YEAH, THESE WERE
ASIAN WOMEN.
I'M LIKE, YES, MY MOTHER'S
ASIAN.
MY BROTHER CALLED MANY A TO GET
AN UPDATE.
HAD I HEARD ANYTHING?
WHO'S GOING ON?
AT THAT POINT I JUST GOT OFF THE
PHONE WITH THE MEDICAL EXAMINER,
AND SHE TOLD ME, YES, THEY DID
HAVE A BODY DOWNTOWN OF A WOMAN
NAMED YOUNG YU.
THAT WAS MY MOTHER.
♪♪
>> AND JOINING ME NOW TO TALK
ABOUT THE DOCUMENTARY AS PART OF
OUR EXPLORING HATE INITIATIVE,
EXAMINING THE ROOTS AND RISE OF
HATE IN AMERICA AND ACROSS THE
GLOBE, ARE EXECUTIVE PRODUCER
GINA KIM.
GINA WELCOME TO THE SHOW.
>> THANK YOU.
>> WE'D ALSO LIKE TO WELCOME THE
DIRECTOR OF THE DOCUMENTARY,
TITI YU.
WELCOME TO "METROFOCUS."
>> THANK YOU.
>> AND ALSO JOINING US IS ROBERT
PETERSON.
ROBERT LOST HIS MOTHERED IN
ATLANTA SHOOTINGS AND IS
FEATURED IN FILM.
ROBERT, THANK YOU SO MUCH FOR
JOINING US.
>> THANKS FOR HAVING ME.
>> ABSOLUTELY.
TITI, I WANT TO BEGIN WITH YOU.
WHAT SPURRED YOU THE PROCESS OF
MAKING THIS DOCUMENTARY, AND
INCLUDING ADIFFERENT POINT OF
VIEW FROM THE WAY THE STORY
PLAYED OUT IN SOCIAL MEDIA.
>> YEAH.
I THINK BACK IN LATE DECEMBER,
EARLY JANUARY, 2021, A LOT OF
USED IN ASIAN AMERICAN COMMUNITY
BEGAN SEEING ON OUR SOCIAL MEDIA
ALL THESE REALLY, REALLY
GRUESOME ATTACKS AGAINST THE
ELDERLY AND ASIAN WOMEN IN OUR
COMMUNITY.
SO AT THE SAME TIME THAT WE WERE
SEEING THESE VIDEOS, WE WERE
ALSO HEARING ELECTED OFFICIALS
REALLY BLAMING THIS PANDEMIC ON
THE ASIAN AMERICAN COMMUNITY.
SO I THINK, YOU KNOW, FOR A LOT
OF USED IN ASIAN COMMUNITY WORK
SAW THIS STORY IN THOSE PARALLEL
TERMS.
SO WHEN MARCH 16th HAPPENED, A
LOT OF US WERE NOT SURPRISED.
WE WERE -- WE FELT THIS WAS
SOMETHING INEVITABLE, AND SO
WHEN THIS STORY HAPPENED, A FEW
MONTHS AFTER THIS STORY
HAPPENED, GINA APPROACHED PBS TO
DO A DOCUMENTARY ABOUT THE RISE
IN ANTI-ASIAN HATE.
AND I KNEW THAT -- GINA AND I
TALKED ABOUT THIS, AND WE KNEW
THAT IT WAS IMPORTANT FOR US TO
TELL THE STORY OF THE COMMUNITY
IN GEORGIA, AND HOW THEY REALLY
DEALT WITH THE TRAGEDY.
SO THAT'S HOW REALLY -- THAT'S
THE STORY THAT WE WANTED TO TELL
WAS THE STORY OF THE
ATLANTA AND HOW THEY WERE ABLE
TO COME TOGETHER AFTER THIS
TRAGEDY.
>> ROBERT, I JUST WANT TO GO TO
YOU, BECAUSE YOU HAD THE TRAGIC
EXPERIENCE, YOU LOST YOUR
MOTHERED IN SHOOTINGS.
WATCHING YOUR STORY UNFOLDS
INCLUDES UNIQUE ASPECTS OF HOW
RACE AND RACISM AFFECTED YOU
PERSONALLY.
>> YES, ABSOLUTELY.
LIKE I SAID BEFORE, I DEFINITELY
REMEMBER WHEN IT HAPPENED, AND
YOU NEVER THINK IT'S GOING TO
HAPPEN TO YOU, AND THEN FOR THIS
TO HAPPEN TO MY MOTHER AND TO
SEE THE OUTPOURING OF SUPPORT
BUT ALSO KNOWING THAT THIS WAS A
CRIME OF HATE AND THIS WAS BASED
ON RACIAL BIAS AGAINST MY MOTHER
AND THEN ME BEING BLACK AND
KOREAN, AGAIN, AND CONTINUOUSLY
FIGHTING FOR OUR RIGHTS AS BLACK
PEOPLE BE ASIANS, IT WAS MORE
PERSONAL TO ME NOW IN AN
UNFORTUNATE WAY.
>> WITH THAT IN MIND THEN, GINA,
I WANT TO BRING YOU INTO THE
CONVERSATION AND ASK -- YOU
KNOW, I THINK FOR A LOT OF
PEOPLE, ESPECIALLY VIEWER OF
PBS, WE'VE SEEN A LOT OF
DOCUMENTARIES ABOUT VARIOUS
DIFFERENT ETHNIC GROUPS AND THE
STRUGGLES AND CHALLENGES THEY
HAVE HAD IN AMERICA, BUT PERHAPS
NOT AS MANY PEOPLE ARE FLUENT IN
UNDERSTANDING WHAT THE
ASIAN AMERICAN EXPERIENCE IS.
AND WAS THAT SOMETHING THAT YOU
FELT WAS INCREDIBLY NECESSARY
WHEN IT CAME TO RETELLING THE
STORY?
>> ABSOLUTELY.
WHEN WE DECIDED TO TELL THE
STORY, WE REALLY FELT IT WAS
IMPORTANT AS ASIAN AMERICAN
FILMMAKERS TO BE THE ONES TO
TELL THIS STORY.
WE KNEW THIS WAS A UNIQUE MOMENT
IN OUR HISTORY.
THE VIOLENCE AGAINST
ASIAN AMERICANS IS NOTHING NEW.
WE ALL KNOW THAT.
IT'S BEEN A LONG, LONG HISTORY
OF VIOLENCE AND DISCRIMINATION
AGAINST THE ASIAN AMERICAN
COMMUNITY.
BUT WE DID FEEL THIS IS A VERY
UNIQUE MOMENT.
DEFINITELY A UNIQUE MOMENT IN MY
LIFETIME.
I'VE NEVER EXPERIENCED ANYTHING
LIKE THIS.
SO WE FELT COMPELLED TO TELL THE
STORY.
WE OFTEN TALK ABOUT RACE IN THIS
COUNTRY IN A VERY BINARY, BLACK
AND WHITE DISCUSSION, AND ASIANS
ARE OFTEN LEFT OUT OF THAT
CONVERSATION, AND
ASIAN AMERICANS HAVE OFTEN FELT
INVISIBLE, THAT OUR VOICES
AREN'T HEARD, WE AREN'T GETTING
YOUR ISSUES OUT THERE.
I DO THINK THIS WAS AN
INFLECTION POINT FOR THE
ASIAN AMERICAN COMMUNITY AND A
TIME FOR US TO SORT OF RISE UP
AND SAY, YOU KNOW, HEY, WE ARE
PART OF THIS CONVERSATION.
THIS IS HAPPENING TO US, AND WE
NEED TO FIGURE OUT HOW TO STOP
IT.
>> OF COURSE.
TITI, WHEN YOU BEGAN RESEARCHING
OR REVISITING THIS STORY, WAS
THERE SOMETHING SPECIFICALLY
THAT STOOD OUT TO YOU THAT YOU
WERE JUST LIKE, THIS NEEDS TO BE
CORRECTED?
OR PERHAPS WAS IT SOMETHING
WHERE A CLEARER NARRATIVE OR
DIFFERENT NARRATIVE WHEN YOU
WENT BACK TO EXAMINE THAT EVENT?
>> YEAH.
I THINK ONE OF THE THINGS THAT
HAPPENED AFTER THE SHOOTING WAS
A LOT OF THE MEDIA NARRATIVES
REALLY, REALLY PORTRAY THESE
WOMEN AS, YOU KNOW, TRAFFICKED,
THAT THEY WERE SEX WORKERS.
MEANWHILE, YOU KNOW, THEY WERE
MOMS AND GRANDMAS, AND THEY WERE
HARD WORKING PEOPLE WHO WERE
JUST TRYING TO MAKE A LIVING,
YOU KNOW, SUPPORT THEIR
FAMILIES.
SO I THINK WHEN IT COMES TO THE
MEDIA, THERE WAS JUST A LOT OF
MISINFORMATION ABOUT WHO -- WHO
A LOT OF THE VICTIMS WERE.
AND I THINK THE OTHER THING IS
THE WAY THAT, YOU KNOW, THE
POLICE HANDLED NOT JUST THIS
PARTICULAR CASE, BUT ALSO OTHER
CASES WHEN IT COMES TO HATE
CRIMES AGAINST ASIAN AMERICANS.
YOU KNOW, THERE'S A SENSE OF
CALLOUSNESS AND INSENSITIVITY.
AND THAT GOES BEYOND, YOU KNOW,
PARTY LINES.
AND I THINK THAT THOSE THINGS,
YOU KNOW, WE REALLY WANTED TO
MAKE SURE THAT THAT'S
DOCUMENTED.
>> ROBERT, GINA MENTIONED IN HER
ANSWER THAT SO MUCH OF AMERICA
IS UNDERSTOOD IN A VERY BINARY,
AS SHE MENTIONED, BLACK AND
WHITE MANNER.
I WONDER FOR SOMEONE WHO
EXISTS -- YOU POINT OUTED IN
FILM YOU'RE A BLACK MAN, BUT
PROUDLY KOREAN AMERICAN.
HOW DID YOU COME TO, I GUESS,
UNDERSTAND OR EXPERIENCE THE
RISE IN ANTI-ASIAN SENTIMENT AND
INFLAMMATORY LANGUAGE THAT WAS
REALLY STARTING TO PICK UP AFTER
THE PANDEMIC EXPLODED?
>> AGAIN, I HAVE BEEN BLACK AND
KOREAN ALL MY LIFE, AND SO AS A
BLACK AND KOREAN MAN, I'VE
EXPERIENCED RACISM ON -- BECAUSE
OF MY RACIAL BACKGROUND, BEING
BLACK AS WELL AS BEING KOREAN.
SO THIS IS NOT NEW TO ME.
BUT IN THIS INSTANCE AND OF MY
MOTHER, AGAIN, IT WAS THE FIRST
TIME OTHERS WERE RECOGNIZING AND
RECEIVING ME AS KOREAN.
AND SO THAT WAS VERY IMPORTANT
TO ME TO MAKE SURE THAT I MADE
SURE THAT I PRESENTED MYSELF AS
KOREAN AND THAT I WAS
UNAPOLOGETICALLY WHO I AM.
MY MOTHER WOULD WANT TO BE
SILENT, QUIET, BUT SHE KNEW THIS
WAS HAPPENING IN OUR LARGER
WORLD, ESPECIALLY SINCE COVID.
SO I'M THE VOICE THAT SHE WANTS
ME TO BE.
>> ROBERT, AS HER VOICE, EVEN
THOUGH THERE WERE EIGHT VICTIMS
IN TOTAL, I WOULD LIKE TO YOU
TELL US A LITTLE BIT ABOUT YOUR
MOTHER AND WHO SHE WAS.
>> MY MOTHER IS LIKE YOUR
MOTHER, MANY KOREAN MOTHERS OUT
THERE.
SHE LOVED HER FAMILY, WANTED TO
WORK.
SHE WAS A WIFE TO MY FATHER, WHO
WAS ALSO A MILITARY MAN, AND SHE
RAISED TWO BEAUTIFUL BOYS, AND
WE TURNED OUT TO BE PRETTY GOOD.
AND SHE JUST ALWAYS TAUGHT US TO
BE RESPECTFUL.
SHE NEVER PUT US IN A POSITION
WHERE WE HAD TO CHOOSE OR FEEL
LIKE WE WERE MORE BLACK OR MORE
KOREAN THAN OTHERS.
BUT WE ALSO TALKED ABOUT OUR
EXPERIENCES OF NAVIGATING THIS
WORLD AS A KOREAN MOTHER WITH A
BLACK SON.
AND SO A LOT OF TIMES SHE
COMMUNICATED WITH ME THROUGH
FOOD, SO THAT'S WHY I HAVE A
LOVE OF FOOD NOW, AND THAT'S ONE
OF MY MISSIONS TO LOVE AND SHARE
AND BRING PEOPLE TOGETHER
THROUGH FOOD.
WHILE SHE DIDN'T HUG AND SAY I
LOVE YOU MUCH, SHE WOULD OFTEN
FEED ME AND SPEND QUALITY TIME
WITH ME, SO THOSE ARE THE THINGS
THAT I THINK I MISS THE MOST.
AND AGAIN, WHAT I SAY TO OTHERS,
THOSE ARE THE THINGS I WANT TO
YOU CONNECT WITH HER.
SHE WAS JUST A REGULAR MOTHER.
SHE LOVED HER CHILDREN.
SHE THOUGHT SHE WOULD BE SAFE AT
WORK, AND THAT'S WHAT EVERYBODY
DESERVES.
>> CAN YOU SHARE YOUR MOM'S NAME
WITH US?
>> MY MOTHER IS YOUNG YU.
MY MOTHER WAS THE EIGHT AND LAST
VICTIM FROM THAT DAY.
>> OKAY.
THE REASON I ASK YOU TO SHARE
YOUR MOTHER'S NAME, I LEARN FROM
COVERING WHEN THE STORY TOOK
PLACE, SO MUCH OF THE MEDIA
DIDN'T TRY TO ENGAGE WITH THE
VICTIM'S NAMES OR STUMBLED
THROUGH THEM BECAUSE MANY NATIVE
ESTABLISH SPEAKERS AREN'T
BILINGUAL.
THEY STRUGGLE WITH NAMES THAT
AREN'T IN ENGLISH.
SO I WANT TO ASK YOU, GINA, WHEN
IT COMES TO TELLING A FULLER
RICHER STORY, I REMEMBER THAT
BEING SOMETHING THAT WAS CLEARLY
POINTED OUTED IN FILM.
THE CORRECT PRONUNCIATIONS OF
THE VICTIM'S NAMES.
>> ABSOLUTELY.
THAT WAS SOMETHING THAT I THINK
WAS VERY PROBLEMATIC AND
DISTURBING TO THE KOREAN
COMMUNITY AND TO THE CHINESE
COMMUNITY.
THE NAMES WERE SORT OF HORRIBLY
PROANNOUNCED AND PEOPLE WERE
CONFUSED ABOUT THE VICTIMS AND
WHO DIED THAT DAY.
THEY HAD SOME DIFFICULTY FINDING
THE FAMILY MAYBES AND BEING ABLE
TO LOCATE THE FAMILY MEMBER.
AND THERE WAS ONE PERSON WHOSE
FAMILY IS IN CHINA, AND IT TOOK
A LONG TIME TO IDENTIFY THAT
INDIVIDUAL AND REACH HER FAMILY.
SO THERE'S A LOT OF ISSUES THAT
OTHER PEOPLE DON'T HAVE TO FACE.
WHEN YOU HAVE A NAME THAT IS
MORE FAMILIAR.
AND THIS IS SOMETHING THAT I
THINK A LOT OF PEOPLE DON'T
RECOGNIZE.
THESE WOMEN WERE LIVING IN
AMERICA AS AMERICANS, WHO LOVED
THIS COUNTRY, THERE TO SUPPORT
THEIR FAMILY, GOING TO WORK
EVERY DAY AND WORKING VERY, VERY
HARD, AND I THINK THIS SENSE OF
BEING OTHER, PERPETUAL
FOREIGNER, THEY'RE NOT AMERICAN.
BOBBY'S MOTHER, HER SONS ARE --
SHE MARRIED A G.I., AN AMERICAN
SOLDIER.
SHE HAS TWO SONS WHO ARE
AMERICAN, BLACK AMERICAN,
ASIAN AMERICAN, AND YET WE SORT
OF SAW THEM AS SOMETHING THAT'S
NOT PART OF THIS COUNTRY AND
FOREIGN.
AND I THINK THAT'S SOMETHING
THAT ASIAN AMERICANS HAD TO DEAL
WITH FOR GENERATIONS AND
CENTURIES.
WE'RE ALWAYS SEEN AS THE
PERPETUAL FOREIGNER.
NEVER REALLY PART OF THE FABRIC
OF THE SOCIETY, WHEN WE HELPED
BUILD IST SOCIETY, AND
ASIAN AMERICANS HAVE BEEN HERE
FOR DECADES, CENTURIES,
GENERATIONS.
>> OF COURSE, YEAH.
>> IF I COULD, THAT'S WHAT LED
TO THE DESERVING, UNDESERVING,
THAT THESE WOMEN WERE
UNDESERVING OF JUSTICE.
I THINK IT'S IMPORTANT AS THEY
SAID, WE AS ASIANS TELL OUR OWN
STORIES SO WE CAN CREATE AND
SHAPE THAT NARRATIVE AND MAKE
SURE IT'S TOLD RIGHT.
I REMEMBER WHEN THIS HAPPENED,
WE TALKED ABOUT THE DIFFERENT
NARRATIVES FROM THE KOREAN
NEWSPAPERS, OR THE KOREAN
COMMUNITY, HOW WE WERE TALK
AMONGST OURSELVES, HOW IT'S
DIFFERENT, AND HOW THERE ARE
DISCREPANCIES BETWEEN THE MAIN
MEDIA AND -- WHEN WE TALK ABOUT
REPRESENTATION WITH THE POLICE
FORCE, I OFTEN THINK, IF MY
MOTHER SURVIVED, WOULD THERE
HAVE BEEN SOMEONE WHO SPOKE
KOREAN AND COMFORTED HER IN HER
TIME OF TRAUMA?
I THINK THINGS LIKE THAT MATTER.
AS A DOMINANT GROUP PERSON YOU
MAY NOT CONSIDER THOSE TYPES OF
THINGS, BUT I THINK THIS STORY
HIGHLIGHTS THAT, AND THE
IMPORTANCE OF SHARING MY MOM'S
STORY ALONG WITH THE OTHER
VICTIMS AND CONTINUE PUSH,
TELLING OUR NARRATIVE SO THEY
DON'T GET IT WRONG.
>> OF COURSE.
AND IN ADDITION TO TELLING -- I
WANT TO EMPHASIZE TELLING -- ONE
OF THE THINGS THE FILM BRINGS
FORWARD IS EVERYONE EVEN THOUGH
WE KNOW
THE NUMBERS, THE INSTANCES OF
ANTI-ASIAN HATE IS RISING, IT'S
UNDERREPORTED.
TITI, I WANT TO ASK YOU, WHY IS
THAT AN UNDERREPORTED NUMBER?
WHY IS IT PEOPLE DON'T FEEL
COMFORTABLE GOING TO THE POLICE
WHEN THEY HAVE BEEN ASSAULTED,
HARASSED, WHEN THEY HAVE BEEN
MISTREATED?
>> I THINK ASIAN AMERICANS
UNDERREPORT HATE CRIMES.
I THINK ONE OF THE REASONS IS
WHEN THEY DO REPORT SOMETIMES,
THEY DON'T ALWAYS GET THE KIND
OF REACTION FROM THE POLICE THAT
THEY'RE -- YOU KNOW, WHAT
HAPPENED TO THEM IS IMPORTANT.
YOU KNOW, AS BOBBY SAID EARLIER,
SO ELOQUENTLY.
I THINK ASIAN AMERICANS ARE
OFTEN, YOU KNOW, SEEN AS
UNDESERVING OF THAT KIND OF
JUSTICE, SO I THINK, YOU KNOW, A
LOT OF TIMES, YOU KNOW,
ASIAN AMERICANS ARE TAUGHT ALSO
THAT -- DON'T MAKE WAVES.
YOU KNOW, KEEP YOUR HEAD DOWN,
WORK HARD.
YOU KNOW, THIS IS HOW WE BECOME
AMERICAN.
THAT'S WHAT WE'RE TAUGHT.
SO, YOU KNOW, I THINK -- YOU
KNOW, I THINK THAT'S CHANGING.
I THINK MARCH 16th, IF THERE'S
ANYTHING TO COME OUT OF THIS
TRAGEDY, I THINK IT'S THIS IDEA
THAT THE ASIAN AMERICANS --
THAT, YOU KNOW, PEOPLE ARE
SPEAKING UP WHEN SOMETHING LIKE
THIS HAPPENS.
>> ROBERT, I SAW YOU NODDING
YOUR HEAD.
CAN YOU EXPAND ON WHAT YOU WERE
THINKING?
>> ABSOLUTELY.
I THINK THIS IS DEFINITELY
CULTURAL.
AGAIN, THE MINORITY BE THE
ASSIMILATION INTO MAINSTREAM
CULTURE, WHETHER THAT LOOKS LIKE
ADOPTING AN AMERICAN NAME OR
TRYING TO ASSOCIATE OR
ASSIMILATE WITH THE WHITE
CULTURE, RIGHT, TO JUST EASE ON
BY.
AND AGAIN, I THINK ALSO THIS IS
PARALLEL TO THE BLACK COMMUNITY
IN OUR RELATIONSHIP WITH LAW
ENFORCEMENT.
WHAT DOES IT MEAN TO GO TO LAW
ENFORCEMENT IF THEY DON'T SPEAK
IN OUR LANGUAGE OR BELIEVE US
WHEN WE DO FINALLY SPEAK UP?
AGAIN, WITHIN MY FAMILY WE HAVE
HAD THIS DEBATE ON THIS PURSUIT
OF A HATE CRIME AGAINST THIS,
AND MANY ARE FEARFUL THAT WE MAY
LOSE, AND WHY PUT OUR FAMILY
THROUGH THE TRA MA IF WE WON'T
BE HEARD?
AGAIN, IT'S THE FIGHT.
MY MOTHER'S NOT COMING BACK, BUT
THIS WILL BE FOR THE FIGHT
COMING FORWARD, FOR THE ASIAN
COMMUNITY TO SHOW, THIS IS WHAT
WE HAVE TO DO.
WE CAN NO LONGER BE SILENT.
AS WE SEE MARGINALIZED GROUPS
FACING THIS VIOLENCE WORK KNOW
WE ARE IN THIS TOGETHER, THAT WE
ARE ALL BEING ATTACKED BY
VIOLENCE, PARTICULARLY GUN
VIOLENCE, AND PARTICULARLY HERE
IN GEORGIA.
SO AGAIN, IT'S VERY IMPORTANT
THAT WE TELL THIS INTERSECTION
OF A STORY.
>> GINA, I ALSO WANTED TO GET
YOUR THOUGHTS ON -- BECAUSE THE
FILM DOESN'T -- IT DEALS WITH OF
COURSE THE PRICE CRISIS AND
TRAUMA OF WHAT HAPPENS BUT IT
ENDS ON A POSITIVE NOTE, AND
THAT'S HIGHLIGHTING THE ACTIVISM
AND POLITICAL ACTIVISM, PEOPLE
RUNNING FOR OFFICE AND WINNING
SEATS.
BUT AT THE SAME TIME JUST LIKE
ANY OTHER GROUP -- AND I ALWAYS
TRY TO MAKE SURE THAT WE BRING
IT UP -- DESPITE WHAT PEOPLE
MIGHT GENERALLY VOTE AS,
ASIAN AMERICANS ARE NOT A
MONOLITH.
>> NO, YOU'RE RIGHT,
ASIAN AMERICANS ARE NOT A
MONOLITH.
AND I DO THINK THAT THIS
STEREOTYPE THAT ASIAN AMERICANS
ARE THE MODEL MINORITY -- YOU
KNOW, WHEN ASIAN AMERICANS HAVE
THE LARGEST INCOME GAP DISPARITY
OUT OF ANY OTHER ETHNIC GROUP IN
THIS COUNTRY.
AND SO CERTAINLY THERE ARE
PEOPLED IN ASIAN AMERICAN
COMMUNITY WHO DO EXTREMELY WELL
AND ARE LEADERS IN THEIR
INDUSTRY, AND THERE ARE PEOPLE
WHO LIVE IN ABJECT POVERTY.
THERE IS A HUGE GAP.
WE'RE NOT A MONOLITH.
WE'RE NOT ALL ALIKE AND WE DON'T
THINK ALIKE.
WE DEFINITELY WANT TO SHOWCASE
THE PEOPLE ON THE GROUND DOING
THE WORK.
WHEN WE WENT TO ATLANTA, WE KNEW
THAT PEOPLE WHO HAD BEEN WORKING
IN THESE COMMUNITIES HAD BEEN
WORKING ON THE GROUND, DOING THE
HARD WORK FOR DECADES, FOR A
VERY LONG TIME.
WE WANTED TO MAKE SURE THAT
PEOPLE UNDERSTOOD THIS HAS BEEN
TAKING PLACE, THAT ALL OF A
SUDDEN THESE ATTACK AGAINST
ASIAN AMERICANS -- IT'S NOT LIKE
ASIAN AMERICANS ALL OF A SUDDEN
STARTED TO RISE UP AND SPEAK
OUT.
IT'S BEEN HAPPENING FOR A WHILE.
BUT IT IS A MOMENT THAT IS
UNITING, I THINK, THE
ASIAN AMERICAN COMMUNITY, MORE
SO THAN, YOU KNOW, OTHER TIMES.
AND IT REALLY IS GOING TO BE
INTERESTING THE SEE WHAT HAPPENS
NEXT.
BECAUSE I THINK THIS IS JUST THE
BEGINNING OF THE CONVERSATION,
AND IT REALLY WILL BE, YOU KNOW,
A MOMENT FOR PEOPLE TO SORT OF
REFLECT AND SAY, WHAT IS NEXT
FOR THE ASIAN AMERICAN
COMMUNITY?
>> THAT SEEMS LIKE A NATURAL
QUESTION FOR ESPECIALLY A
DOCUMENTARY LIKE THIS TO END ON,
BUT TITI, WAS THAT SORT OF THE
INTENT IS TO SHOW OUT OF TRAGEDY
CAN COME A TRIUMPH OF ACTIVISM
AND PEOPLE MAKING SURE THAT
DOESN'T HAPPEN AGAIN?
OR IF IT DOES, GOD FORBID, IT'S
NOT HANDLED THE SAME WAY?
>> ABSOLUTELY.
I THINK, YOU KNOW, THAT EVERY
GENERATION -- I THINK GOING BACK
TO WHAT GINA WAS SAYING THAT
ASIAN AMERICANS, WE HAVE BEEN
HERE IN THIS COUNTRY SINCE THE
BEGINNING, AND WE BUILT THIS
COUNTRY, YOU KNOW, AND EVERY
TIME SOMETHING BAD HAPPENS TO
AMERICA ON THE INTERNATIONAL
STAGE, YOU KNOW, ASIAN AMERICANS
IN THIS COUNTRY GET BLAMED,
WHETHER THAT'S, YOU KNOW, WORLD
WAR II OR CERTAINLY AFTER 911.
SO, AND AFTER EVERY ONE OF THOSE
INCIDENTS, ASIAN AMERICANS HAVE
BEEN HERE REBUILDING OUR
COMMUNITIES AND PUTTING IN THE
WORK.
SO ABSOLUTELY, I THINK, YOU
KNOW -- THE ASIAN AMERICAN
FOUNDATION EARLIER CAME OUT WITH
A STUDY THAT SAYS MORE AMERICANS
NOW BLAME ASIAN AMERICANS FOR
THE PANDEMIC THAN DURING THE
HEIGHT OF THE PANDEMIC.
SO, YOU KNOW, WHAT THAT SAYS TO
ME, THAT VIOLENCE AGAINST
ASIAN AMERICANS IS NOT GOING TO
GO AWAY, BUT NEITHER ARE WE.
WE'RE HERE TO STAY.
>> AND HOW -- THIS QUESTION
REALLY IS FOR THE ENTIRE PANEL,
BUT ROBERT, I'LL START WITH YOU.
HOW DO YOU SEE -- WHAT IS THE
MOST IMPORTANT STEP YOU NEED TO
SEE TAKING PLACE SO THAT THERE'S
BETTER UNDERSTANDING, BETTER
COMMUNITY, BETTER VISIBILITY
AMONGST THE ASIAN AMERICAN
COMMUNITY AS PART OF THE
AMERICAN FABRIC?
>> SO, I DEFINITELY LIKE THE
STEP THAT WE'RE MOING TOWARDS
NOW, STORY TELLING, RAISING
AWARENESS AND INCREASING
EDUCATION.
THIS IS PARALLEL TO MY
EXPERIENCE AS A BLACK MAN WHEN
WE TALK ABOUT THE HISTORY OF OUR
PEOPLE AND HOW IT'S BEING SHARED
AND TAUGHT.
I WENT TO AN HBCU, AND THAT'S
HOW I FOUND OUT A LOT ABOUT MY
AFRICAN AMERICAN HISTORY I WAS
NOT TAUGHT IN K THROUGH 12.
AS WE CONTINUE TO SHARE STORIES,
I THINK THAT'S A FORWARD MOVING
STEP.
HOWEVER, WE ALSO NEED TO MAKE
SURE WE INVEST IN OUR OWN
COMMUNITIES AND HOLD OUR LEADERS
ACCOUNTABLE.
AGAIN, ANTI-HATE BILLS ARE GOOD,
BUT THAT'S REACTIONARY TO
SOMETHING, DAMAGE THAT HAS
ALREADY BEEN CAUSED.
SO WHAT ARE WE DOING TO MAKE
SURE WOMEN ARE EMPOWERED IN THE
WORK FORCE, SAFE GOING TO THE
GROCERY STORE.
HOW ARE WE HELPING TO UPLIFT
THESE COMMUNITIES?
AND I BELIEVE SOLIDARITY BETWEEN
COMMUNITIES WILL GET US THERE.
THIS FIGHT WILL BE A CONTINUOUS
FIGHT.
IT WILL BE ONE I'LL BE GLAD TO
BE A PART OF, BUT AAM CAUTIOUSLY
OPTIMISTIC, BECAUSE WE HAVE BEEN
HERE BEFORE.
>> GINA, ARE YOU ALSO CAUTIOUSLY
OPTIMISTIC?
>> AS A JOURNALIST -- JUST
WATCHING WHAT'S BEEN HAPPENING,
I DO THINK, YOU KNOW, ONE OF THE
REASONS WE MADE THIS FILM IS TO
KEEP THIS ISSUED IN PUBLIC EYE.
I THINK A LOT OF TIMES WITH A
LOT OF NEWS STORIES THEY SORT OF
FALL AWAY, BUT, YOU KNOW,
ATTACKS AGAINST ASIAN AMERICANS
HAVEN'T STOPPED, AND IT'S NOT
STOPPING ANY TIME SOON.
ASIAN AMERICANS ARE THE ---ED IN
FILM WE TALK ABOUT HOW
ASIAN AMERICANS ARE THE LARGEST
GROWING DEMOGRAPHIC IN THIS
COUNTRY, ETHNIC GROUP IN THIS
COUNTRY.
SO I'M ACTUALLY CURIOUS TO SEE
HOW -- HOW THE SOCIETY RESPONDS
TO THAT.
YOU KNOW?
LIKE, AS ASIAN AMERICANS, YOU
KNOW, GRAB MORE POWER, AS THEY
COME OUT MORE, AS THEY ARE, YOU
KNOW, MORE SIGNIFICANT MEMBERS
OF SOCIETY AND LEADERS IN
SOCIETY, AS MANY ALREADY ARE, IT
WILL BE VERY INTERESTING TO SEE
HOW WE NAVIGATE THIS COUNTRY AND
HOW -- WHAT THE RESPONSE IS.
>> ALL RIGHT.
>> WELL, TITI, WE HAVE ABOUT A
MINUTE LEFT, BUT I'D LOVE TO GET
YOUR THOUGHTS, AGAIN, ON WHAT I
GUESS YOU SEE AS A POSITIVE STEP
THAT COULD BE COMING OUT OF
THIS.
>> I THINK, YOU KNOW, TO ME, ONE
OF THE REALLY TOUCHING THINGS
ABOUT SPEAKING TO THE COMMUNITY
DOWN IN ATLANTA IS AFTER THE
TRAGEDY, A LOT OF -- SOME OF THE
COMMUNITY GROUPS WERE GOING
LISTENING TOURS AMONGST
IMMIGRANT GROUPS.
AND WE SAW A LOT OF TIMES, FOR
THE FIRST TIME, FIRST GENERATION
ASIAN AMERICANS COMING OUT TO
EXPRESS SOME OF THE THINGS
THEY'VE EXPERIENCED.
THIS IDEA THAT ASIAN AMERICANS,
WE DON'T SPEAK OUT, FOR A LOT OF
OUR PARENTS, THEY'VE EXPERIENCED
A LOT OF THIS RACISM THEIR
ENTIRE LIFE, BUT FOR THE FIRST
TIME THEY'RE STARTING TO SPEAK
OUT ABOUT IT.
SO I THINK YOU'RE GOING TO SEE A
LOT MORE OF THESE CONVERSATIONS
HAPPEN GENERATIONALLY BUT ALSO
WITHIN THE LARGER ASIAN AMERICAN
COMMUNITY.
>> ALL RIGHT.
WELL, WITH THAT WE'RE GOING TO
LEAVE IT THERE.
BUT I'D LIKE TO THANK ALL THREE
OF MY GUESTS, GINA KIM PRODUCER,
TITU YU, PRODUCER.
A STORY THAT NEEDS TO BE MORE
SPOKEN ABOUT, THE RISE IN
ASIAN AMERICAN HATE, BUT ALSO
THE RESILIENCE OF THE AAPI
COMMUNITY.
>> THANK YOU.
>> THANK YOU, JENNA.
>> ABSOLUTELY.
>>> "METROFOCUS" IS MADE
POSSIBLE BY --
SUE AND EDGAR WACHENHEIM III,
SYLVIA A. AND SIMON B. POYTA
PROGRAMING ENDOWMENT TO FIGHT
ANTI-SEMITISM,
THE PETER G. PETERSON AND
JOAN GANZ COONEY FUND,
BERNARD AND DENISE SCHWARTZ,
BARBARA HOPE ZUCKERBERG,
THE AMBROSE MONELL FOUNDATION.