Skip to main content Skip to footer site map

A Scene of Madness

While King Lear seems to be about the madness of Lear, the play is actually saturated with various kinds of madness. Edmund is deranged in some ways. Kent’s behavior towards Oswald makes no sense. The daughters obviously lose it, and the Fool certainly puts on an antic disposition. For his part, Edgar feigns madness in ways that suggest satire, not insanity. Furthermore, one cannot easily distinguish madness from anger at many moments. What does the play say about madness? How does it connect madness with moral responsibility? Is madness an individual state, or a collective one? If one “intends” to be mad, is he mad? At what point does madness require Bedlam, complete segregation from the community? Does the metaphor of madness in the play suggest a kind of Bedlam, an extreme alienation, among the play’s manifold characters?

SHARE
STAY CONNECTED
SUBSCRIBE TO OUR NEWSLETTER
The WNET Group | Media Made Possible by All of You
Great Performances is an award-winning signature PBS series created by The WNET Group and is made possible by all of you.

© 2024 WNET. ALL RIGHTS RESERVED.

PBS is a 501(c)(3) not-for-profit organization.