{"version":"1.0","provider_name":"Great Performances","provider_url":"https:\/\/pbs-wnet-preprod.digi-producers.pbs.org\/wnet\/gperf","author_name":"Christina Knight","author_url":"https:\/\/pbs-wnet-preprod.digi-producers.pbs.org\/wnet\/gperf\/author\/knightc\/","title":"Gene Scheer on Creating a Libretto | Great Performances | PBS","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"6qALLWQdc8\"><a href=\"https:\/\/pbs-wnet-preprod.digi-producers.pbs.org\/wnet\/gperf\/librettist-gene-scheer\/1889\/\">Gene Scheer on Creating a Libretto<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/pbs-wnet-preprod.digi-producers.pbs.org\/wnet\/gperf\/librettist-gene-scheer\/1889\/embed\/#?secret=6qALLWQdc8\" width=\"600\" height=\"338\" title=\"&#8220;Gene Scheer on Creating a Libretto&#8221; &#8212; Great Performances\" data-secret=\"6qALLWQdc8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/pbs-wnet-preprod.digi-producers.pbs.org\/wnet\/gperf\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/pbs-wnet-preprod.digi-producers.pbs.org\/wnet\/gperf\/files\/2013\/10\/Mezzanine_308.jpg","thumbnail_width":1280,"thumbnail_height":720,"description":"Gene Scheer, librettist of the opera Moby-Dick, describes his creative process in representing the novel. He sees the emotional journey of Ishmael (the narrator) and the harpooner Queequeg's influence on him as his best friend as the soul of the novel. After working six months on his own, Scheer traveled with composer Jake Heggie to Nantucket to collaborate. Premiering Friday, November 1, 2013."}