“The ways of presenting Mary in art change as society evolves,” says exhibition curator Timothy Verdun, and the human intimacy on display in the images, he adds, “convey to people that God gave such enormous value to every aspect of human life that he chose to share it.” More →

December 19, 2014

“Jesus matters so much because of the incarnation,” says Edward Blum, a history professor at San Diego State University and co-author of “The Color of Christ.” “If God takes a particular body with particular hair length and particular eye color, then perhaps that says something about the value of that body.” More →

September 19, 2014

“Jesus matters so much because of the incarnation,” says Edward Blum, a history professor at San Diego State University and co-author of The Color of Christ. “So if God takes a particular body with particular hair length and particular eye color, then perhaps that says something about the value of that body.” More →

August 26, 2014

“We encourage people to have conversations,” says Reverend Rosa Lee Harden, producer of the Wild Goose Festival. She finds that sometimes people “who weren’t raised in Christian families, who follow other faiths more deeply understand the message of Jesus than sometimes we do.” More →

June 27, 2014

This modern artist’s body of work was based on the Hebrew Bible and the Jewish Jesus, often depicted with tallit and phylacteries. More →

September 20, 2013

“God moves through the artist,” says Rev. Walter Smith, president of the HeathCare Chaplaincy in New York City, and the paintings, sculpture, and installations that result are “avodah”—a single act of both work and worship. More →

July 26, 2013

“Let the souls of the millions who have died speak to us and speak through us,” said Rabbi Bruce Lustig of the large public art installation that raises awareness of ongoing genocides and mass atrocities. “We all share the same bones. No matter your creed, no matter your color, we are all created in the image of God.” More →

June 28, 2013

“It’s such a great painting because you have God very energetic, and the wind pushing his hair back, and he’s very determined. He’s just created the universe, after all,” says art historian Bridget Goodbody. More →

November 16, 2012

The many works on view at the Met in New York demonstrate how artistic motifs were shared and used by people of different faiths in different regions over the centuries. More →

July 27, 2012

“She had to have been the least naïve nun that I can think of,” says Kathryn Wat, curator of an exhibition of prints by graphic artist Sister Corita Kent (1918-1986) at the National Museum of Women in the Arts in Washington, DC. More →

July 6, 2012