{"id":4521,"date":"2009-10-09T07:55:31","date_gmt":"2009-10-09T12:55:31","guid":{"rendered":"https:\/\/pbs-wnet-preprod.digi-producers.pbs.org\/wnet\/religionandethics\/?p=4521"},"modified":"2013-05-10T15:00:32","modified_gmt":"2013-05-10T19:00:32","slug":"october-9-2009-a-serious-man","status":"publish","type":"post","link":"https:\/\/pbs-wnet-preprod.digi-producers.pbs.org\/wnet\/religionandethics\/2009\/10\/09\/october-9-2009-a-serious-man\/4521\/","title":{"rendered":" A Serious Man"},"content":{"rendered":"
<\/div>\n

 <\/p>\n

(from movie trailer, various voices): I\u2019ve tried to be a serious man. We\u2019re going to be fine. I\u2019ve tried to do right, be a member of the community. Please just tell him I need help.<\/em><\/p>\n

KIM LAWTON<\/strong>, correspondent: \u201cA Serious Man\u201d is a dark comedy that asks some universally serious questions.<\/p>\n

CATHLEEN FALSANI<\/strong> (Author, The Dude Abides: The Gospel According to the Coen Brothers<\/em>): Why do we suffer? If God is there and God is a good God, why do bad things happen to decent people? I don\u2019t care what flavor of spiritual person you are, or if you are a person of faith or not, there is no real good satisfactory answer to that.<\/p>\n

LAWTON<\/strong>: Religion columnist Cathleen Falsani is author of The Dude Abides: The Gospel According to the Coen Brothers<\/em>. She says the brothers\u2019 newest film grapples with those theological questions in unexpected\u2014and yes, quirky\u2014ways.<\/p>\n

FALSANI<\/strong>: It\u2019s a powerful film, but it\u2019s a powerfully funny film as well, and in the Coens\u2019 25 years of filmmaking, it\u2019s often their funniest films that are in some ways the darkest, the most serious spiritually.<\/p>\n

\"postb-seriousman\"(from movie): Honey, I think it\u2019s time we started talking about a divorce.<\/em><\/p>\n

LAWTON<\/strong>: Set in 1967, the story centers around a Jewish physics professor, Larry Gopnick, who experiences a Job-like set of personal and professional calamities. He looks to his faith to make sense of it all.<\/p>\n

(Larry Gopnick, from movie): Please, I need help. I\u2019ve already talked to the other rabbis. I\u2019ve had quite a bit of tzurus lately. Marital problems, professional, you name it. This is not a frivolous request.<\/em><\/p>\n

LAWTON<\/strong>: He doesn\u2019t find any easy answers.<\/p>\n

(dialogue from movie): Rabbi\u2019s secretary: The rabbi is busy. Larry Gopnick: He didn\u2019t look busy. Secretary: He\u2019s thinking.<\/em><\/p>\n

FALSANI<\/strong>: To their credit, the rabbis in the film don\u2019t really try to give an answer. I think they kind of encourage the wrestling out of the answer, which is, in fact, in my estimation, to continue to live your life.<\/p>\n

LAWTON<\/strong>: The film is full of Jewish motifs. It\u2019s set in a community outside Minneapolis, where the Coen brothers themselves grew up in the 1960s. They say with \u201cA Serious Man\u201d they wanted to explore what they call \u201cthe whole Jewish Midwestern thing.\u201d<\/p>\n

ETHAN COEN<\/strong> (filmmaker): The whole incongruity of Jews in the Midwest, Jews on the plains. It\u2019s just\u2014it\u2019s odd, and that incongruity is something that we kind of wanted to get across, too. It\u2019s its own strange subculture.<\/p>\n

\n\n\n\n
\"postA-seriousman\"
\nEthan and Joel Coen<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

LAWTON<\/strong>: They acknowledge nervousness among some Jews about how the film may come across.<\/p>\n

ETHAN COEN<\/strong>: People were really supportive in the Jewish community especially, but you know, occasionally people would ask, you\u2019re not making fun of the Jews, are you? This really deep Jewish thing where, you know, is this good for the Jews or bad for the Jews?<\/p>\n

LAWTON<\/strong>: Like Larry\u2019s son, Danny, the Coen brothers went to Hebrew school and were bar mitzvahed. They\u2019ve indicated that faith no longer plays a central role in their lives, but they are notoriously reticent to discuss their personal beliefs or the messages in their 14 films.<\/p>\n

FALSANI<\/strong>: They don\u2019t say a lot about what they believe or don\u2019t, but their movies are filled with theological and metaphysical and existential questions.<\/p>\n

LAWTON<\/strong>: Falsani admits those themes may not always be obvious in what she calls \u201cthe Coeniverse\u201d\u2014the enigmatic and sometimes violent worlds the Coens have created.<\/p>\n

FALSANI<\/strong>: I think there is a moral order to the Coeniverse, if you will. It might not be the moral order we were hoping for, but it\u2019s there.<\/p>\n

LAWTON<\/strong>: \u201cA Serious Man\u201d may be more overt than other Coen films in its religious exploration, but it is no more obvious in its conclusions. Still, Falsani says, in true Coenesque fashion, meaning can come by simply raising the questions.<\/p>\n

(Larry Gopnick, from movie): I need help.<\/em><\/p>\n

I\u2019m Kim Lawton reporting.<\/p>\n","protected":false},"excerpt":{"rendered":"

Set in 1967, the story centers on a Jewish physics professor in the Midwest, Larry Gopnick, who looks to his faith to make sense of his personal and professional calamities. 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